Kaizar’s posterous

"The more we become obsessed with the clarity and speed of the signal, the less time we have to appreciate the message." -Gary Kimaya 
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literature

 

Literary San Francisco

* Alice Adams (Second Chances – 1988)
* Isabel Allende (Daughter of Fortune – 1999)
* Maya Angelou (I Know Why the Caged Bird Sings – 1969)
* Gertrude Atherton (The House of Lee – 1940)
* Albert Benard de Russailh (Last Adventure – 1851)
* Ambrose Bierce (The Death of Halpin Frayser – 1891)
* Herb Caen (Herb Caen’s San Francisco – 1957)
* Philip K. Dick (Do Androids Dream of Electric Sheep? – 1968)
* Dave Eggers (A Heartbreaking Work of Staggering Genius – 2000)
* Lawrence Ferlinghetti (Dog – 1958)
* Allen Ginsberg (Sunflower Sutra – 1956)
* Andrew Sean Greer (The Confessions of Max Tivoli – 2004)
* Dashiell Hammett (The Maltese Falcon – 1930)
* Robert Hass (Bookbuying in the Tenderloin – 1967)
* Bob Kaufman (No More Jazz at Alcatraz)
* Maxine Hong Kingston (China Men – 1980)
* Jack Kerouac (On the Road – 1957)
* Gus Lee (China Boy – 1991)
* Armistead Maupin (Tales of the City – 1978)
* Czeslaw Milosz (Visions From San Francisco Bay – 1975)
* Alejandro Murguia (The Medicine of Memory – 2002)
* Frank Norris (McTeague – 1899)
* Thomas Pynchon (The Crying of Lot 49 – 1968)
* Ishmael Reed (Earthquake Blues – 1988)
* William Saroyan (The Living and the Dead – 1936)
* John Steinbeck (Travels with Charley – 1961)
* George Sterling (The Cool, Grey City of Love – 1920)
* Robert Louis Stevenson (Arriving in San Francisco – 1879)
* Amy Tan (The Joy Luck Club – 1989)
* Michelle Tea (Valencia – 2000)
* Hunter S. Thompson (The Great Shark Hunt – 1964)
* Mark Twain (Early Rising, As Regards Excursions to the Cliff House – 1864)
* Sean Wilsley (On the Glory of It All – 2005)

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